A different type of Power or ComPost-Modernism

Published Categorized as Journal

Permaculture course HAS ITS GENESIS in the visionary work of T. Russell Smith, J. Sholto Douglas, Robert Hart, and others less well known, who, two generations ago and more, recognized the urgency of transforming the foundation of agricul­ture through the usage of trees and other perennial plants. They found the gradual destruction of land that followed the plow and realized that only by developing forestry and gardening might man’s impact on the Earth be tempered and hope for humanity’s future be attached to the next century.

Searching my shelf for creativity on power in preparation for this issue, I ran across evidence for a similar ideation in a slender thesis by Ida and Jean Pain, A different sort of Garden. In a fifth edition by 1979 and first published in 1973, this little book documents the work and methods of M. Pain with brushwood compost.

Following the revelations of ecologist H. T. Odum (I) to the problem of energy, a third leg was included with this synthesis as David Holmgren therefore trenchantly expounds in his essay Energy and Permaculture (2). It was for Holmgren, a young student of design at Hobart. Tasmania, and his unlikely mentor, Bill Mollison a bushman turned college teacher, setting forth an useful and systematic way of applying these new understandings. Permaculture highlighted overhaul of the domestic landscape or self-reliance, building the genius of the local and the person into this revolutionary and triune shift.

Permaculture has been largely ignored by governments and institutions, to which its important meaning is anathema, although widely accepted by both traditional and post-modern people around the world. The vacuum of official support has obscured the scope and extent of this revolution in man’s relation to the land. It is essential therefore, for all those of us promoting permaculture ideas and systems to understand the elaboration of the permaculture design system, although initial to Holmgren and Mollison, was neither isolated nor exclusive, but contemporary with a variety of similar creative work in other western countries.

A Little-Known Visionary

What sets Jean Pain aside from Sir Albert Howard or other advocates of compost for farming are two important factors, First. Pain put the source of humic material in the forest and perhaps not in agriculture. In this way Pain pointed to a way of creating effective the substantial scrubland and dry forest regions of the sub-tropic and sub-temperate regions, areas of the earth blessed by abundant sunshine and long occupied by humans, but whose soils were exhausted before the modern age. Second, inspired by an exceptionally post-modern comprehension of international resource restrictions, he involved himself with the production of industrially useful energy from this basic planet resource. He also shows westerners a way out-of the dilemma of reliance upon fossil fuels.

Pain was a citizen scientist in Occitania, that legendary and historic area in the south of France, whose political fortune has long been absorbed inside the French state, but whose heart is still restive. Contemporary with Bill Mollison. Pain was concerned with the destruction of the Mediterranean forest by fire, a critical method of dehumification of soils that started hundreds of years back with the introduction of grazing animals and cereal cropping. He further thought the forest it self can he regenerated by selective utilization of the same material. If you want to read more information, please visit this site